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heterogeneity. Importantly weak local-regional correlations highlight the importance of localised drivers The Last Interglacial 129 000 116 000 years ago provides key insights into temperate European vegetation drivers. Longitude and to a lesser extent precipitation explained some variation in local vegetation openness but heterogeneity remained unexplained emphasising the role of disturbance regimes. Shannon diversity and activities in this period. These findings challenge the closed forest paradigm for interglacials revealing by local disturbances and megafauna, challenging the traditional closed-forest paradigm and providing Beyond the closed-forest paradigm: Cross-scale vegetation structure in temperate Europe before the late-Quaternary
show that roads are becoming a more significant spatial reference to people apart from the population minority both at the expense of the historical Saramaka Creole area. Recent roads sticking each bank of the Oyapock 2017 and 2018 in the Oyapock watershed. Ninety-two maps were obtained covering almost the entire watershed midstream legal farmers on the Brazilian side illegal gold diggers on the French Guiana side and an Amerindian Oyapock River to their hinterland Brazil and France respectively like rubber bands are separating them slowly Uses and Populations Territorial Attachments: The Case of the Oyapock Watershed (French Guiana, Amapá State
vegetation reconstructions for Europe during the Holocene are crucial to improving our understanding of landscape biodiversity and mitigating their effects in the future. We present here the most spatially extensive and temporally records compared to former analyses in particular from the Mediterranean area. Second to discuss methodological productivities RPPs one of the key input parameters of REVEALS to test model sensitivity. Finally to validate our reconstructions reconstructions with the global forest change dataset. The results suggest that the RPPs.st1 31 taxa dataset Testing the Effect of Relative Pollen Productivity on the REVEALS Model: A Validated Reconstruction of
The socio-ecological legacies of centuries-old charcoal making practices in a mountain forest of the
environment offers a new approach to exploring this memory. This study examines the impact of interaction with free recall task was used to assess their episodic memory focusing on the objects their details and their their memories. The results show that interaction with virtual objects improves memory for the objects and influence participants confidence in the location of the objects suggesting that different types of information distinguished when evaluating memory. Although the effects of BSC and the sense of presence on memory were not The Impact of Virtual Object Interaction on Episodic Memory: The Role of Bodily-Self Consciousness and
Exposition - Todo lo que siempre you wanted to know sobre la inclusión but no te atreviste a preguntar
Séminaire "Empire and After" - "From British Tradition to American Experience: Club Sociability in Colonial
as the interval between the city and nature suburbs are first of all designated as what they are not ceases to reinvent itself For if one follows Bailly s vision suburbs are the backstage of the city its resignation they delineate the future within the the dumps of the nonhistorical past R. Smithson they illuminate literature to give some form of visibility and nameability to this intermediary space which beyond the clichés crises and breakdowns also revive the colors of the ordinary as shown in the works of Raymond Carver Jeffrey "Suburbia_An archeology of the Moment. Suburbs in the arts and literature of the English-speaking world"
des études du monda anglophone DEMA propose au CRL The Blinding Sea Evidentia Films Inc 2020 un long métrage The Blinding Sea, l'Antarctique au CRL
dessinée d Angoulême. Le groupe bordelais Splendor in the Grass décide dans la foulée de créer un BD-Concert écran dans la pénombre les musiciens de Splendor in the Grass jouent au rythme du récit une musique de compositions Come Prima / Cie Splendor In the Grass
