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christian.roques[at]univ-tlse2.fr Bridging the Political Gaps. The Interdiscursive Qualities of Political Romanticism in the Weimar Republic Republic 67 000 signes Contributions to the History of Concepts Vol. 13 1 2018 pp. 51-74 https doi.org
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Paris PUF 1998. Brustein Robert S. The Theatre of Revolt An Approach to the Modern Drama. Chicago Elephant Paris Gallimard 2016. Marx Leo. The Machine in the Garden. Technology and the Pastoral Ideal in America. Oxford collectionneuse . Bibliographie Austin J. L. How to Do Things with Words. Cambridge Harvard University Press That Matter. On the Discursive Limits of Sex. New York Routledge 1993. Chambers Samuel. The Queer Politics Dolan Jill. Utopia in Performance Finding Hope at the Theater. Ann Arbor University of Michigan Press
Morts pour la France. The African Soldier in France During the Second World War The Journal of African History Africaine 2007. GADJIGO Samba Ousmane Sembène dialogues with critics and writers Amherst University of Massachusetts
Pollock The Art of Crossing the Line. The Tennessee Williams Annual Review Vol. 14 2014 pp 23-49. The Haunted Williams s Plastic Theatre and European Painting. The Tennessee Williams Annual Review Vol. 13 2012 pp
spécialisées en religion grecque et romaine Religions in the Graeco-Roman World RGRW Etudes Préliminaires aux
Toulouse Midi-Pyrénées en SHS principalement collection The Routledge Companion .
The Oxford Dictionary of Music est le dictionnaire de termes musicaux le plus à jour et le plus accessible
