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ori filmmakers are becoming owners of the means of production and of the intellectual property generated process of filmmaking. This presentation examines the dimensions of difference in the practice of M ori elements of the daily practice of these producers as they adapt the Western-originated model of the filmmaking a member of the Ng ti Porou tribe of the M ori people. She serves on the Editorial Board of the Journal Christina Milligan Auckland University of Technology Dimensions of difference Filmmaking from a M ori world Dimensions of difference: Filmmaking from a Māori world view
together an international group of scientists and artists. The final event of the series takes place in December Jean-Christophe Sakdavong, CLLE Lab, University of Toulouse, France
as an important feature of spoken British English. Of the different types of tags the most well-studied In this talk I explore the grammatical features of this construction in British English and consider Louise Mycock, University of Oxford - Séminaire CLLE-ERSS
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